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History · Printmaking · Engraving

The art of mezzotint

A technique born from darkness, delicately revealing every nuance of light.

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A unique technique

What is mezzotint?

The mezzotint, also known as the black manner, is an intaglio printmaking technique developed in the 17th century. It produces deep blacks, velvety gradations and exceptionally smooth transitions of light.

Unlike other methods, the printmaker begins with a plate prepared to print a rich black and gradually brings out the highlights using scrapers and burnishers.

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Print made using the mezzotint technique
The distinctive tonal richness of mezzotint printmaking.
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From plate to print

The creative process combines patience, precision and exceptional control of tonal values.

Rocker used to prepare a mezzotint plate

The tools

The rocker prepares the surface; the scraper and burnisher are used to create highlights.

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Detail of a print with deep blacks and midtones

The process

From the initial rocking of the plate to printing: discover the stages of mezzotint.

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Work associated with Ludwig von Siegen and the origins of mezzotint

The history

From its 17th-century origins through its development in Europe to its continued practice today.

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Featured artists

Masters of mezzotint

Two essential names for understanding the origins and modern evolution of this technique.

Work by Ludwig von Siegen
17th century

Ludwig von Siegen

A pioneering figure in mezzotint, associated with its emergence around 1642.

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Work by Yōzō Hamaguchi
20th century

Yōzō Hamaguchi

A Japanese artist who revitalised mezzotint and explored its possibilities in colour.

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A living tradition

The art of bringing light out of darkness

Explore the techniques, artists and works that make mezzotint one of the most subtle forms of printmaking.